As part of MCW’s ongoing What’s Cooking?! research platform, the MIRACLE group (our research centre for film and moving-image media) is hosting a session on digital preservation with Sabine Lenk as our guest speaker next Friday, April 23rd.

Location  Kromme Nieuwegracht 80, 1.06 (Stijlkamer van Ravenstyn)
Time: 15.00-17.00

WHAT HAPPENS WHEN WE DIGITIZE?

The Dutch Institute for Sound and Image (Nederlands Instituut voor Beeld en Geluid) is busy digitizing about 17.500 hours of film material over a period of seven years as part of the Beelden voor de toekomst-project. A crucial question for users of such archival material then is: What exactly happens on a technical level when an analogue image “becomes digitized”? How does this affect the image? This presentation will look at current practices and in particular at the way in which film archives cooperate with labs and post-production companies.

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The Iconology Research Group – an initiative of the Universities of Leuven and Utrecht – advances iconology as a field and method within the context of visual studies and image sciences (Bildwissenschaften). The IRG reviews and rethinks original methodologies in the light of new approaches, asks how other disciplines have profited from iconology and how they in turn inspire and/or reinvent iconology. Beyond methodological reflection, the IRG singles out three central research themes: the production and technologies of pictures, the significance and agency of images, and the transfer and migration of motifs. The IRG is a platform for discussion, research, and collaboration in Belgium and the Netherlands and opens up ongoing projects to international developments and perspectives. For more information see: iconologyresearchgroup.org

Annually, the IRG organizes an “Iconology meets…”‐symposium that focusses on the relation between iconology and other relevant fields, featuring a methodological discourse, historical research into the interdisciplinary roots of iconology, as well as specific case studies. The first two editions, Iconology meets Anthropology and Iconology meets Visual Studies were held in Leuven and Louvain‐la‐Neuve. The third edition, Iconology meets Film Studies, takes place on March 5, 2010 from 9:30 to 18:00 (U Theatre Studio-T Kromme Nieuwegracht 20).

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Wat voor soort onderzoek verricht je tijdens je MA, RMA of stage? En wat daarna, wat voor carrière ga je mogelijk tegemoet? Deze en andere vragen worden beantwoord tijdens de FAQ Masteravond MCW op dinsdag 2 maart in Studio T aan de Kromme Nieuwegracht 20. Op de avond presenteren docenten en studenten van het Departement MCW vanuit uiteenlopende onderzoeksgebieden hun onderzoekspapers en stageprojecten. Tevens zullen twee alumni vertellen over hun carrière na de (Research) Master. De presentaties verlopen volgens het Pecha Kucha format: korte, creatieve powerpoints van 20 slides, ieder 20 seconden.

- Datum: dinsdag 2 maart
- Tijd: 19:00 tot 22:30 uur
- Locatie: Studio T (Kromme Nieuwegracht 20, Utrecht)
- Plaatsen: 80
- Kosten voor deelname: geen

Om verzekerd te zijn van een plaats kan je je aanmelden via blik.tijdschrift[at]gmail.com.

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We would like to cordially invite you to the first meeting of Skip Intro.

Skip Intro is a series of primarily ad hoc-organized meetings in which academics, artists, politicians and working professionals give brief lectures and presentations about current-day issues in which new media play a significant role.

Our first meeting will take place on Wednesday January 20 from 19.30-21.30 in Studio T (Kromme Nieuwegracht 20, 3512 HH Utrecht).

We’ll kick off the series with Upstreams & Downstreams (Piracy, Data Retention & Surveillance) and with the following speakers:

• Jaromil (dyne.org, http://www.rastasoft.org)
• Ilpo Koskinen (University of Arts & Design Helsinki, http://www2.uiah.fi/~ikoskine)
• Joris van Hoboken (Bits of Freedom, https://www.bof.nl)

Central topics of this evening are free & open software, the integration
of mobile media in socio-cultural interaction, and 21-century citizenship. There will be lots of room for discussion, so anyone who is interested in participating in the debate on new media is welcome!

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Donderdag 21 januari 2010
Studio T (Kromme Nieuwegracht 20), Utrecht

Keywords: future media toekomst e-learning netwerken politiek wetenschap muziek alumni nmdc utrecht ted

Op donderdag 21 januari 2010 vindt het symposium Media van Morgen plaats. Wij nodigen (aankomende) studenten Nieuwe Media en Digitale Cultuur, mediawetenschappers en alumni uit aanwezig te zijn bij wat belooft een avond te worden vol inspirerende vooruitzichten op de media van morgen.

Naast een inleidende keynote, een koffiepauze, een afsluitende endnote en een borrel, biedt de avond plaats aan zes sprekers. Zij hebben de opdracht binnen 15 minuten hun visie op de toekomst van media te presenteren, waarbij ieder over een ander medium of thema spreekt.

De zes sprekers zijn alumni van de master Nieuwe Media en Digitale Cultuur en hebben hun sporen in het werkende veld inmiddels verdiend. Het zijn ervaren sprekers die het symposium als generale repetitie zullen gebruiken voor een eventuele toekomstige TED-talk: het format dat als voorbeeld dient voor het symposium.

Schrijf je in door een mail te sturen naar mvm[at]dutchearth.nl

The Centre for TV in Transition brings together the work of the television and scholars at the Department of Media and Culture Studies of Utrecht University who study the cultural transition of television from its early beginnings on. Our research focuses on the historical, recent and current transitions of television’s screens, histories, discourses, and practices. We suppose that television is a medium that never just is, but constantly is in the state of transition. Currently, we do not witness ‘ The end of TV’ as many commentators claim, but the re-invention of television in the digital environment.

Visit our website: http://tvintransition.wordpress.com/

UTRECHT MEDIA & PERFORMANCE RESEARCH SEMINAR ‘09-’10

The Utrecht Media & Performance Research Seminar invites participation of both junior and senior researchers from various research areas in a new series of discussions about the concept of liveness, presence and mediatization in debates about new and transforming media and performance technologies and practices.

In seven sessions we will discuss key publications on notions of liveness, presence, mediatization, aura, dis/appearance, and the relationship between public and private spaces, including work by authors like Philip Auslander, Herbert Blau, Walter Benjamin, Jay David Bolter, Steve Dixon, Adrian Heartfield, and Amelia Jones.

Literature will be selected and distributed by the organizers.

Dates: October 30, December 4, January 29, February 26, March 26, May 7, June 4. Time: 2.30 - 17.00. Location: Janskerkhof 13, 0.06 (OGC), except for the first session in October: Kromme Nieuwegracht 80, 1.06 (Stijlkamer van Ravenstyn)

If you would like to participate, send a message to N.Verhoeff[at]uu.nl no later than October 15th 2009.

We look forward to your participation,

Frank Kessler, Maaike Bleeker, Nanna Verhoeff

Theme five: Signs & numbers; culture & nature
(first session September 8, 2009)

Organised by: Dr. Rick Dolphijn (Media and Culture Studies), Dr. Iris van der Tuin (Gender Studies)

“Signs & numbers; culture & nature” deals with the ways in which the new materialism engages itself with mathematics, models, numbers, always in their entanglement with the human sciences, culture, signs. This theme will make clear the importance of science in new materialist theory. Yet it is not by taking the sciences as exemplary for good academic research that the humanities are critiqued. On the contrary, it is in re-reading the sciences and the humanities as they write a similar morphogenesis that builds up new materialist thinking. Neglected by the philosophy of science, this theme unveils a history of thought that is affirmative of both the sciences and the humanities, and shows their entanglement throughout the history of Western thinking.

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June 18 & 19 2009, Filmmuseum, Amsterdam

If making is thinking, as Richard Sennett has recently argued in his book The Craftsman, studying making can enable us to understand visual artefacts. Paintings, films, computer animation, or scientific images are the results of skilled procedures and complex interaction between makers, materials, tools and technologies, which generate and shape meaning. Mainly based on tacit knowledge though, these procedures and interactions tend to evade textual description and are, although enclosed in the finished product, usually not recorded. How do we get our hands and minds at these material procedures if we want to study the meaning of making?

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